This chapter contains sections titled: Introduction Section 1: Rational Judgment and Understanding Section 2: The Structure of Systematicity Section 3: Systematicity as Methodological Maxim? Section 4: Nature and Rational Structure.

This chapter contains sections titled: Metaphysics and Epistemology Ethics and Politics Aesthetic Worldviews References Further Reading.

Duchamp’s aspiration to become more philosophical in his art mirrors Heidegger’s aspiration to become more poetical in his philosophy. Their shared mistrust of subjectivity led them to question the continued viability of art on the one hand and of philosophy on the other. This article examines Heidegger’s essay in juxtaposition to Duchamp’s work, highlighting Heidegger’s (often underappreciated) playful approach to his weighty task, and, in regard to Duchamp, revealing just how serious art can be when it doesn’t appear to take (...) itself too seriously. (shrink)

This chapter contains sections titled: The “Grammaticalization of Experience” What is Exemplification? Exemplifying Feeling Poetry and the Resources of Grammar Example “Of ” and Example “As”.

Translations of the “myths” from Plato’s Protagoras (320c-324d), Symposium (189c-193d), Republic (614b-621d), Timaeus (20d-25d and 29d-34b), and Kritias (108e-121c).

The notion that Jesus' death is an atoning sacrifice is grounded in Jesus' own understanding of the temple and sacrificial cult in light of the dawn of the New Age.